By pointing toward the interstices inherent in modernist historiography, the stakes of Toward a Concrete Utopia went beyond proper reexamination of a neglected history, revealing how the remarkable spatial, formal, and ideological characteristics of Yugoslav architecture bespoke the innate potentiality of architecture as a tool imperatively capable of revolutionizing everyday life. This marshaling of dispersed materials together for the first time worked not only to dislodge Yugoslav architecture from its ostensible marginality, but also to “rechart” the topography of modernity from within the very institution that had come to define it. In order to challenge modernist historiography’s conventional positioning of socialist Yugoslavia’s architectural production as peripheral, incidental, or belated, the curators-Martino Stierli and Vladimir Kulić, with Anna Kats and a veritable team of researchers-had to start from scratch. Unlike in MoMA’s previous architecture exhibition Latin America in Construction: Architecture 1955–1980 (2015), which used MoMA’s own collection to supply the majority of objects on display, the materials showcased in Toward a Concrete Utopia were the result of extraordinary coordination by the curators and researchers to assemble the components of the exhibition from locales poles apart in terms of geography, institutional benefaction, and collection formality. The highly anticipated architecture exhibition at the Museum of Modern Art (MoMA) included over four hundred drawings, plans, photographs, models, and film reels related to the construction, ideological and physical, of the second Yugoslavia (Socialist Federal Republic of Yugoslavia). ![]() Toward a Concrete Utopia: Architecture in Yugoslavia 1948–1980 was an archive of radical potential. Performance Art/Performance Studies/Public Practice.Museum Practice/Museum Studies/Curatorial Studies/Arts Administration.Drawings/Prints/Work on Paper/Artistc Practice. ![]() Digital Media/New Media/Web-Based Media.Architectural History/Urbanism/Historic Preservation.Subject, Genre, Media, Artistic Practice.Compare Standard and Premium Digital here.Īny changes made can be done at any time and will become effective at the end of the trial period, allowing you to retain full access for 4 weeks, even if you downgrade or cancel. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for $69 per month.įor cost savings, you can change your plan at any time online in the “Settings & Account” section. ![]() For a full comparison of Standard and Premium Digital, click here.Ĭhange the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. Premium Digital includes access to our premier business column, Lex, as well as 15 curated newsletters covering key business themes with original, in-depth reporting. Standard Digital includes access to a wealth of global news, analysis and expert opinion. During your trial you will have complete digital access to FT.com with everything in both of our Standard Digital and Premium Digital packages.
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